Perfect geometry is a mathematical concept and hardly manifests physically. I'm interested in how natural law shapes itself and I wonder, what can we still do that machines cannot?
What's fascinating about abstract gestural composition is how it is soaked with the artist's humanity. You can almost read the psychological passage in the line as it progressed. Clay is an ideal seismograph to capture human expression. Porcelain in particular has a high content of silica, giving it palpable resounding qualities.

With a machine I created for this purpose, I draw in space.

Tender harmony and keen senses are required to handle these delicate lines without distorting their sublime surface. I'm concerned with movement and composition. It needs to feel 'right’. Creating these is a physically straining challenge. The wet porcelain is fragile and slumps under its own weight. It must be carefully dried. To bond an Intersection I sit beside the work and hold the connection until it firms. There are no mechanical devices that can do what hands can. Amidst a technological renaissance, I feel sentimental about the human touch and serve as its champion.

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